References
I / Preface
i / Anthropocene
1 Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 1-12. 2 Robert Lionel Sherlock and Arthur Smith Woodward, Man as a Geological Agent: An Account of his Action on Inanimate Nature (London: H. F.&G. Witherby, 1922). 3Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 1-12. 4 Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 26. and Magnus Boström, Rolf Lidskog, and Ylva Uggla, “A Reflexive Look at Reflexivity in Environmental Sociology.” Environmental Sociology 3, no.1 (2016): 6–16. 5 Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 20. 6 Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 26. 7 Will Steffen, Jacques Grinevald, Paul Crutzen, John, McNeill, “The Anthropocene: conceptual and historical perspectives,” Phil. Trans. R. Soc. A. 369, (2011): 848-852.
II / America
i / The Salt Marsh
8 Theodore E. Stebbins, Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000). 9 Peter Friztell, “American Wetlands as a Cultural Symbol: Places of Wetlands as American Culture,” in Wetland Functions and Values: The State of Our Understanding: Proceedings of the National Symposium on Wetlands Held in Disneyworld Village, Buena Vista, Florida, November 7-10, 1978, 530.: cited by Maggie Cao, The End of Landscape in Nineteenth-Century America (University of California Press: 2018), 102-103. Note: Cao introduces the association between Heade’s salt marshes paintings and the frontier experience that inspires the analysis of section i / Salt Marsh. 10 Maggie Cao, The End of Landscape in Nineteenth-Century America (University of California Press: 2018), 102-103. 11 Theodore E. Stebbins, Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000). 12 Carol Butler, Judith Weis, Carol A. Butler, Salt Marshes: A Natural and Unnatural History (Rutgers University Press, 2009), 5. 13 Ibid, 6.
ii / Last Frontier
14 William Cronon,“The Trouble with Wilderness: Or, Getting Back to the Wrong Nature,” Environmental History: 1, no. 1 (1996), 7-28. 15 Martin Johnson Heade, Lynn Meadows, Oil on canvas, 1863, Yale University Art Gallery. 16 Roberta Smith Favis, Martin Johnson Heade in Florida (University of Florida Press: 2003), 87-90. Note: Favis notes the succession of anthropogenic change in both Lynn Meadows and On the San Sebastian River, Florida that influenced the curation of ii / Last Frontier. 17 Roberta Smith Favis, Martin Johnson Heade in Florida (University of Florida Press: 2003).
iii / Forest and Stream
18 Roberta Smith Favis, Martin Johnson Heade in Florida (University of Florida Press: 2003). 19 Didymus, “A Decade Wasted!” 21, 1 (August 2, 1883), 8. 20 Didymus, “Exterminatory Peregrinations,” 52, 25 (June 24, 1899), 485. 21 Ibid. 22 Pamela Swadling, Plumes from Paradise (Sydney University Press: 2019).
III / The Americas
i / Natural Exploration
23 Theodore E. Stebbins, Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000). 24 Ibid. 25 Martin Johnson Heade, Martin Johnson Heade Papers, 1853-1904, Archives of American Art, Smithsonian Institution, Box 1: Folder 9. 26 Theodore E. Stebbins, Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000). 27 Martin Johnson Heade, Martin Johnson Heade Papers, 1853-1904, Archives of American Art, Smithsonian Institution, Box 1: Folder 9.
ii / Hummingbirds
28 Eva Horn and Hannes Bergthaller, The Anthropocene: Key Issues for the Humanities (London and New York: Routledge, 2020), 98-101. 29Andrea DenHoed, “The Making of the American Museum of Natural History’s Wildlife Dioramas,” The New Yorker, February 15, 2016. 30 Maggie Cao, “Heade’s Hummingbirds and the Ungrounding of Landscape,” American Art 25, no. 3 (2011): 48–75. 31 Charlotte M. Porter, “Wetlands and Wildlife: Martin Johnson Heade in Florida,” The Florida Historical Quarterly 88, no. 3 (2010): 338. 32Alison Abbott, Artistic responses to Darwinism, Nature 458, 33 (2009). 33 Charles Darwin, The Descent of Man, and Selection in Relation to Sex (London: John Murray, 1871).34 Daniel Brooks, Salvatore Agosta, “Surviving the Anthropocene: A Darwinian Guide,” Global Perspectives 5, 1 (31 January 2024): 115331.
ii / Human Geology
35 Theodore E. Stebbins, Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000). 36 Krista Thompson, An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque (Duke University Press, 2006). 37 Bybrook Estate, Centre for the Study of the Legacies of British Slavery, University College, London. 38 Krista Thompson, An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque (Duke University Press, 2006), 42. 39 Susan Ballard, Art and Nature in the Anthropocene (New York: Routledge, 2021), 181. Note, the books perspective of Anthropocene Art as a conglomeration of elements and 'strata' is considered in the construction of Heade and the Anthropocene, specifically ii/Human Geology.
IV / Epilogue
39 Didymus, “Buffalo, Wild Pigeons and Plume Birds,” 43, 5 (August 4, 1894), 95. 40 AI generated based on: Robert J Tierney, Fazal Rizvi and Kadriye Ercikan, International Encyclopedia of Education, 4 ed. (Elsevier Science, 2023). 41 Lissy Goralnik, Michael Paul Nelson, "Glossary," Encyclopedia of Applied Ethics, 2 ed. (Elsevier Inc., 2012). 42 John Dryzek and Jonathan Pickering, The Politics of the Anthropocene, (Oxford University Press, 2019), 17.
Additional Readings
David Hartt, The Histories (New York: Inventory Press, 2022).
Heather Davis and Etienne Turpin, Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (London: Open Humanities Press, 2015).
Joanna Stanberry, David F. Murphy, Janis Bragan Balda."Recognising Ecological Reflexivity: An Alternative Approach to Partnership Capabilities for Collaborative Governance" Sustainability 16, no. 16 (2024): 6829.
Theodore Stebbins, The Life and Work of Martin Johnson Heade, (New Haven: Yale University Press, 1975).