Edith Wharton: Designing the Drawing Room
PUBLISHED DRAWING ROOMS
May Welland’s Drawing Room
Unlike Ellen, who creates a room “unlike any other,” May assembles a drawing room that follows the customs of her society. Before Wharton presents May’s actual drawing room, she allows Newland to imagine what this space will look like when he waits in Ellen’s drawing room. Unable to imagine May’s design choices when immersed in Ellen’s creativity, he instead pictures May’s family’s drawing room. In Newland’s imagination and in reality—described in the passage below—May’s drawing room is characterized by brightness and by a profusion of shiny, new objects.
The drawing room below is included in an 1883 book titled Artistic Houses that showed off the fanciest homes of the New York City elite. This drawing room, in the home of Cornelia M. Stewart, resembles the space Wharton describes in May’s home after her marriage to Newland. Wharton emphasizes the brightness of May’s drawing room; this room contains three large windows and massive mirrors to reflect light across the room. This space, described as a “grand drawing-room,” contains several groups of chairs and tables that divide the large, resplendent room into smaller portions, much like the furniture arrangements in May’s drawing room.